Comparing Audio Distribution Protocols: AVB, Dante, AES50 and AES67
A practical comparison of AVB, Dante, AES50 and AES67: what they do, where compatibility matters and what to check before specifying an AV network.
Written by Mark DavisPublished 25 July 2023Updated 8 September 2026 · London Electricals editorial update
Start with the equipment and the required audio paths
AVB, Dante, AES50 and AES67 appear in professional audio specifications, but they are not interchangeable labels for the same network. When designing distributed audio, first identify the sources, destinations, channel counts and supported interfaces on the actual equipment.
Technology
Role in a system
Check before specifying
AVB
A family of Ethernet standards for time-sensitive media transport.
Endpoint profiles and suitable AVB-capable network infrastructure.
Dante
A networked-audio platform used by compatible products from multiple manufacturers.
Channel capacity, firmware, clocking, routing and the required switch configuration.
AES50
A digital-audio interconnection commonly used between compatible consoles and stage equipment.
Manufacturer compatibility and topology. An RJ45 socket does not mean it connects through a normal IP network switch.
AES67
An interoperability standard for high-performance audio over IP.
Actual implementation, supported modes and stream discovery/configuration on both endpoints.
AES67 does not make every device compatible
Dante's support documentation states that AES67 support varies by device. An AES67 setting is not a universal bridge to every AVB or AES50 system. Confirm the manufacturer's supported signal path, any required interface and the firmware on both sides before purchasing equipment.
Draw the source-to-destination routes, including interfaces, switches and any separate control network. Document clocking, multicast requirements where applicable, resilience, bandwidth and access for support. These settings are equipment-specific; a generic switch configuration should not be copied into a live installation without checking the design.
What to bring to a design review
Manufacturer and model numbers for sources, processors and endpoints.
Required simultaneous zones and channels.
Existing network topology and cabling information.
Operational priorities, including handover and fault recovery.
An Allen & Heath DT168 can supply inputs to an SQ mixer fitted with an SQ Dante 64×64 option card. The DT168 and card both support 48 or 96 kHz; configure matching network sample rates and the required clocking, then make the Dante subscriptions and patch the mixer input channels. The mixer’s SLink socket is a different interface.
Microphone → analogue input on DT168
↓ Dante Primary network port
Dante network connection Appropriately configured Ethernet infrastructure where a switch is used
↓ Matching sample rate, clocking and channel subscription
SQ Dante 64×64 card → patched SQ input channel
Manufacturer-supported example, reviewed 8 September 2026. This illustrates a Dante path only; it does not connect AES50, AVB or AES67 automatically. It is not an installed-project drawing.
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